Sarah H. Jackson, Textile Artist: An Atypical Transparency

Thursday, May 24, 2012

An Atypical Transparency

The May/June 2012 issue of Handwoven magazine arrived last week with my article about using the technique of handwoven transparency in the design of a garment. It's always interesting to see how the photo stylist presents my work, and I like the absence of a model for this photo which allows the transparent quality of the weaving to be seen more clearly.


Photo by Handwoven magazine

The inset photos are some I took during the weaving process that accompany my instructions for weaving the inlayed squares.

According to Editor Anita Osterhaug, the editorial team was disappointed that the final photo didn't clearly show the true colors of the inlays, but you can see them here in the detail photos; luminous gold, a little pewter, and earthy shades set off by the taupe background.

And now that the blouse is back home, I can finally wear it!

1 comment:

Heather Hobbick UlibarriMay 24, 2012 at 8:09 PM
I bet you look stunning in your new creation. Very interesting.
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Welcome!

Artist Statement:
Handweaving, simple or elaborate; it all begins with one thread. To sit at  my loom and throw the shuttle while witnessing the interplay of color,  pattern, and texture as it develops into cloth is endlessly fascinating.
My design process often centers on color as I work within the limitations  of the loom to stretch and explore the possibilities of color interaction.
At other times I focus on the combination of structure and fiber, using  only one or two colors, to create the desired cloth.
Whether designing for the home or one-of-a-kind garments, my weaving  reflects a passion for marrying structure, fiber, and color to produce  cloth that is unique, practical, beautiful, and just right for my intended  purpose.

About Me

An early interest in art and textiles led me to the University of Kansas where I earned a Bachelor of Fine Arts with emphasis in textile design. I started weaving again in 2005 after an almost twenty year hiatus. Some of the things I did during that time include working for a publishing company designing and writing pattern instruction for knitwear, quilting, home schooling my son, and volunteering as a Stephen minister in my church. I am passionate about weaving (everyday, if possible!), color, and texture. When not weaving, I enjoy reading, gardening, and bike riding.

I have had numerous designs published in Handwoven magazine. In January, 2012, I joined their editorial team as a technical editor, and in January, 2015, I was offered the job of weaving editor.